Level 4 · Sixteenths & Fills · 4-1
Sixteenth-note hands
Four taps per click, R-L-R-L, relaxed at slow speed.
What you play
B bass · S snare · g ghost · rest1
g
Re
g
L&
g
Ra
g
L2
g
Re
g
L&
g
Ra
g
L3
g
Re
g
L&
g
Ra
g
L4
g
Re
g
L&
g
Ra
g
L55 BPM
startpass
How to play it
- 1Play continuous sixteenth-note ghosts , strictly alternating hands, four taps per click. Slow and light - this is a relaxation exercise disguised as a speed exercise.
- 2Count one-e-and-a two-e-and-a out loud. The number lands on the click.
- 3Keep the motions tiny. Fingertips fall from two or three centimetres, no more.
- 4The moment your forearms tense, drop 5 BPM. Speed comes from looseness, never from effort.
- 5Record about 60 seconds.
Listen forEven, light sixteenth notes with no galloping and no seizing up, at a steady tempo throughout.
start 55 · pass 70 BPM · take about 60s
Record a take
I start the click at 55 BPM, count one bar, and stop after about 60s. Phone about a metre away, facing the front plate. You get my notes within a minute of sending it.
Watch out for
- • Tension creeping in and the hands seizing up
- • Accenting the first note of every four without meaning to
- • The two hands drifting apart in volume as it speeds up
Play this for real
- The festejo groove on cajón104 BPM · The Afro-Peruvian 6/8 the cajón was invented to play.
- The bossa nova groove on cajón130 BPM · Quiet, even sixteenths with the accents on top. Restraint is the technique.