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Rafa Cajón

Level 4 · Sixteenths & Fills · 4-4

The traveling accent

Accent control: same notes, one loud note that moves.

What you play

B bass · S snare · g ghost · rest
bar 1 · accent on 1
1
g
&
g
2
g
&
g
3
g
&
g
4
g
&
g
bar 2 · accent on the & of 1
1
g
&
g
2
g
&
g
3
g
&
g
4
g
&
g
bar 3 · accent on 2
1
g
&
g
2
g
&
g
3
g
&
g
4
g
&
g
bar 4 · accent on the & of 2
1
g
&
g
2
g
&
g
3
g
&
g
4
g
&
g
bar 5 · accent on 3
1
g
&
g
2
g
&
g
3
g
&
g
4
g
&
g
bar 6 · accent on the & of 3
1
g
&
g
2
g
&
g
3
g
&
g
4
g
&
g
bar 7 · accent on 4
1
g
&
g
2
g
&
g
3
g
&
g
4
g
&
g
bar 8 · accent on the & of 4
1
g
&
g
2
g
&
g
3
g
&
g
4
g
&
g
65 BPM
startpass

How to play it

  1. 1Quiet eighth-note ghosts . Everything stays ghost quiet except one stroke per bar.
  2. 2Bar 1 accents 1, accents the & of 1, accents 2, and so on through all eight bars, then start over.
  3. 3Announce the accent out loud before each bar on early attempts.
  4. 4The accent is one loud finger snap inside a quiet stream. Surgical. The off-beat ones are the payoff, give them extra reps.
  5. 5Record about 90 seconds.

Listen forA single clear accent per bar that audibly moves position each bar while the underlying eighths stay even and quiet.

start 65 · pass 80 BPM · take about 90s

Record a take

I start the click at 65 BPM, count one bar, and stop after about 90s. Phone about a metre away, facing the front plate. You get my notes within a minute of sending it.

Watch out for

  • • Neighbours of the accent getting louder too (the accent leaking)
  • • A tempo hiccup at each accent
  • • Losing count of which bar you are in. Count.