Level 5 · Styles & Musicality · 5-3
Half-time chill
Space and patience: the laid-back singer-songwriter groove.
What you play
B bass · S snare · g ghost · rest1
B
&
·
2
g
&
B
3
S
&
·
4
g
&
·
65 BPM
startpass
How to play it
- 1Play bass on 1, a ghost on 2, bass on the and of 2, snare on 3 and a ghost on 4, . This is the groove for slow acoustic songs.
- 2The snare on 3 instead of 2 and 4 is what makes it half-time, twice as spacious. Sit in the silences; they are part of the groove.
- 3Play about ten per cent behind where you think the beat is. Lazy on purpose.
- 4One big snare per bar. Make it warm rather than aggressive, and resist filling the space around it.
- 5Record about 90 seconds.
Listen forA spacious, patient groove with a confident snare on beat 3, a steady slow tempo, and no notes crammed into the gaps.
start 65 · pass 85 BPM · take about 90s
Record a take
I start the click at 65 BPM, count one bar, and stop after about 90s. Phone about a metre away, facing the front plate. You get my notes within a minute of sending it.
Watch out for
- • Adding extra notes because the space feels uncomfortable
- • Rushing. This groove exposes it mercilessly.
- • The snare on 3 arriving timid
Play this for real
- The half-time groove on cajón72 BPM · One backbeat instead of two. The hardest easy groove there is.